リオのビーチでボサノヴァを聴く。あいまいな風景のなかで、ジョアン・ジルベルトが囁くように歌う。

Essay|2024.03.23

photo_Toshinori Okada
Text_Toshinori Okada


Music is best experienced in its country or city of origin. Chanson feels different on the streets of Paris or in a cabaret, fado in a tavern around Lisbon’s Alfama, and canzone on a gondola in Naples or Venice. Back in Japan, such music sounds utterly different. Is it the air? The scenery? Or perhaps, is it because one feels high being abroad? Probably a bit of all.
I visited Rio de Janeiro’s Ipanema Beach, the Ipanema of the famous bossa nova song “The Girl from Ipanema.” The beach buzzed with men flaunting their muscles and glamorous women. The Cariocas were cheerful, perfectly complementing Brazil’s sunshine. As dusk approached, people started heading home in small groups. The beach, now sparser, felt lonely after the party. The sunset tinged the landscape with a reddish hue, the wind blew, sand danced in the air, and everything appeared hazy. The sound of waves, the twilight mood, and in the distance, the silhouette of the Dois Irmãos, the twin brothers mountains. This is Ipanema, the world’s best stage for listening to bossa nova.
Bossa nova was born here. Antonio Carlos Jobim created its relaxed melodies, and João Gilberto sang in a soft voice, perfectly matching the languid scenery.

Actually, it is said that the apartment where they practiced had thin walls, and this led to their trademark whispery singing style.
To enjoy travel, I recommend listening to the music native to the places visited. Along with profound emotions, good memories will accumulate. And remember to be high about being abroad.

リオ・デジャネイロのイパネマ海岸。この風景のなかで聴くボサノヴァは格別。

ヴェネツィアではゴンドリエがカンツォーネを歌ってくれることもある。

こちらのおじさんはゴンドリエではありません。